1. MARY KOM: THE MOVIE REVISITED
Anindita Dhar
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2. SHASHI THAROOR’S SHOW BUSINESS: INDIAN CINEMA AS A MIRROR FOR SOCIETY
Basavaraju N.
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3. GANGUBAI KATHIYAWADI: A JOURNERY FROM MARGIATION TO COMPLEMENATION
Shagufta Siddqui & Trilochan Kaur Sandhu
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4. PSYCHOANALYSIS OF ALCHOLHOL AND TOBACCO CONSUMING IN SCENES IN “KANTHARA” FILM
K. Abish Vignesh & V. Sundararaman
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5. THE REPRESENTATION OF WOMEN AS MARGINALISED IDENTITIES IN INDIAN CINEMA
Charusheela Hanumant Patil
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6. PROGRESSION OF FEMAL CHARCTERS FROM OBLIVION TO EMPOWERMENT IN INDIAN ENGLISH FICTION WITH REFERENCE TO THE SELECT NOVELS OF JAISHREE MISRA
Ritika Kumari
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7. CHANGING REPRESENTATION OF DISABILITY IN HINDI CINEMA
Tejaswini Deo
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8. RECONSIDERING FEMINISM IN CINEMA: A CRITICAL PERSPECTIVE
Dinesh Kumar
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9. CINEMA AS A PIECE OF LITERARY EXERCISE
Dharmishtha V. Oza
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10. RETELLING OF ‘RAMAYANA’ FROM SITA’S PERSPECTIVE IN ‘THE FOREST OF ENCHANTMENTS’ AND ‘SIYA KE RAM’
Mansi Yadav
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11. UNVEILING SOCIAL REALITIES THROUGH INDIAN CIENAM: SEGREGATION OF CASTE AND THE ROLE OF LAW ENFORCEMENT IN IT
Akhya Shankar
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